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Výuka
& studium: |
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GLOSSARY |
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Abacus |
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Usually square
uppermost part of capital. |
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Acanthus |
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A thistle-like Mediterranean
plant, whose serrated leaves were the model for
Corinthian capitals, and is often modified and used as a
decorative motif on Romanesque capitals. |
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Aisle |
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The side of a nave (q.v.)
separated from the nave proper by a colonnade; by
extension, a similar feature in the transept (q.v.) or
choir (q.v.). |
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Ambulatory |
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Passageway around the choir, often
a continuation of the side aisles of the nave. Cf.
Radiating chapels. |
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Antependium |
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Or altar frontal, ornamental
covering for the front of an altar, originally made of
fabric; later produced in stone, wood, precious metals
or enamel; often contains figurative or symbolic
pictures. |
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Apotropaic |
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Object, picture or symbol used
primarily in folk art to ward off evil; important
feature of representations of animals and demons in
Romanesque art. |
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Apse |
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A semi-circular or polygonal
vaulted space behind the altar in a church. |
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Apsidiole |
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Small apse-like chapel. |
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Arcade |
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A series of arches carried on
piers or columns. |
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Archivolt |
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Molding around the face of an
arch, often ornamental. |
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Ashlar |
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Hewn or squared stone, or stone
facing. |
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Atrium |
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The colonnaded forecourt on the
west side of an Early Christian church, originally the
open central forecourt of an Roman house; cf. Galilee. |
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Barrel vault |
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Semi-cylindrical vault with
parallel abutments and of constant cross-section. |
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Basilica |
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In the architectural sense use in
this sites, a rectangular building with a definite
orientation (i.e. symmetrical about the longitudinal
axis only), consisting of a central nave (q.v.) and side
aisles (q.v.) separated by colonnades, with or without a
transept (q.v.). Cf. Central plan. |
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Bay |
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A vaulted division of a nave,
aisle, choir or transept (qq.v.) along its longitudinal
axis. |
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Biforium |
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Window
divided into two arched areas by central column. |
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Blind
(arch,
arcade) |
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An arch or arcade with no opening,
usually as decoration on a wall. |
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Callote |
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The interior of a small dome or
domical vault. |
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Capital |
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The head of a column. |
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Central-plan
building |
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Building symmetrical about its
central point; a Central-plan building may be round,
square, polygonal or cross-shaped. Cf. Basilica. |
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Chancel |
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Interchangeable with Choir (q.v.);
sometimes, the area in front of the altar. |
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Chevet |
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An apse (q.v.), typically with
ambulatory (q.v.) and radiating chapels (q.v.) |
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Choir |
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Term borrowed from classical Greek
theater, used in Christian architecture to refer to the
area at the end of the nave which is reserved for the
clergy or monks, and which contains the altar and choir
stalls. |
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Choir stalls |
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The rows of stepped seats on
either side of the choir, facing inwards, for the use of
the clergy. |
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Clerestory |
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The exterior wall of a nave
(q.v.), above the level of the aisles (q.v.), with
windows. |
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Cloister |
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Quadrilateral enclosure surrounded
by covered walkways, the centre of activity for the
inhabitants of a monastery. |
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Concha |
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Semi-circular niche with a
semi-dome, usually called an apse. |
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Console |
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Ornamental bracket that projects
from the wall; also called a corbel. |
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Corbel |
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see Console |
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Crossing |
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The area of a church where the
nave is intersected by the transept. |
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Crypt |
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Underground chamber beneath the altar
in a church, usually containing a saint´s
relics. Though the chamber is underneath the choir, it
can some times extend as far as the crossing. It is not
always completely underground, so that the choir and
altar are sometimes considerably higher than the nave
and aisles; as a result, very impressive flights of
steps were some times built to connect nave and choir. |
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Dendrochronology |
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Tree-ring dating, method of dating
the age of trees by the number of rings. The varying
tree growth in dry and wet years causes uneven yearly
rings; because of this, it is possible to use trees
grown over a period of time in the same climate to
produce a sequence of tree-rings. This is turn makes it
possible to date the wood used in buildings precisely. |
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Domical
vault |
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A dome-like vault with diagonal
and transverse ridge ribs, used mainly in the Late
Romanesque architecture of south-west France and
Westphalia. |
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Donjon |
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Central tall, strong tower in
French castles which, unlike the keep, was designed for
permanent habitation. |
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Dormitory |
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The room where monks slept in
monasteries, and later, when individual cells were
introduced, the term was applied to the building or
floor which contained the cells. |
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Dwarf
gallery |
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A low exterior passage lit by an
equally low arcade, just below the roof of a building
and usually in the apse of a church. |
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Engaged
column |
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A column
embedded in a wall, not free-standing. |
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Evangeliary,
or gospel
book |
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A liturgical book (handwritten in
the Middle Ages, printed later) containing the complete
text of the Gospels. Evangeliaries are among the most
impressive examples of medieval book illumination. |
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Fresco |
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Wall painting done with pigments
suspended in water, which are painted onto wet plaster;
the pigments are united permanently with the plaster as
they dry. |
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Galilee |
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A chapel or porch at the entrance
to a church. |
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Gallery |
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An upper storey, similar to a
tribune, running along the side of a building and open
on one side to the interior; in a church (basilica)
above the side aisles, over the ambulatory (central-plan
building) and also over the west end. The gallery was
used to keep certain groups of worshippers apart (women,
noblemen). |
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Great Hall |
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Main living
quarters of a castle or imperial palace. |
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Groin vault |
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Type of vaulting caused by two
equally large barrel vaults (q.v.) crossing at right
angles; the angle formed by the intersecting vaults in
the groin, hence the term. |
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Hall church |
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Church whose nave (q.v.) and
aisles
(q.v.)
are of equal height; a similar form has a raised nave
but no clerestory (q.v.).
Loosely, an aisle-less church. |
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Iconography |
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Originally the discipline
concerned with determining Classical portraits. In art
history, the researching and interpretation of the
content and symbolism of depicted object, and in
particular, Christian picture themes; and important
feature is the consideration and researching of literary
sources in philosophy and theology, which influenced the
various motifs and the way they were depicted. |
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Impost |
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In church architecture, the course
of stone at the top of column or pilaster from which the
arch or vault springs, and which transfers its weight to
the column or brickwork. Also: Voussoir. |
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Intrados |
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The inner face of an arch or
vault. |
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Jamb |
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The part of wall (cf. Reveal)
lying at an angle to the sides of windows or portals,
frequently containing columns or statuary within each
stepped area. Cf. Portal. |
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Keep |
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Tall, strong tower in medieval
castle, used as an observation post and last refuge for
those living in the castle, and, unlike the donjon, not
designed for permanent habitation. |
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